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Since the 1960s, and culminating in the Gulf conflict of last year, television has come to play an ever more decisive role in the preparation and planning, as well as in the execution, of war. It is said that the Vietnam war was lost in American living rooms; and more recently, that the Gulf war was won there. In this highly readable new book, Bruce Cumings studies the history of television's coverage of US warmaking since World War II. Cumings' own experience in the production of a Thames Television film "Korea: The Unknown War" and his difficulties getting the programme aired on American public television, tell a story of struggle with an array of media executives, retired soldiers, bureaucrats from both Koreas, and assorted public figures. Cumings shows how his film was shaped by media people on both sides of the Atlantic to conform to prevailing views of a war that neither the United States nor Britain wishes to remember accurately.
- Sales Rank: #3091993 in Books
- Brand: Brand: Verso
- Published on: 1992-06-01
- Original language: English
- Number of items: 1
- Dimensions: 1.20" h x 6.50" w x 9.50" l, 1.51 pounds
- Binding: Hardcover
- 309 pages
- Used Book in Good Condition
From Publishers Weekly
Cumings ( The Origins of the Korean War ) gets a good deal off his chest in this long-winded, rambling meditation on what he sees as television's distorted reporting of America's last three major wars. His text is heavy with ad hominem attacks that seem irrelevant to his theme: P. J. O'Rourke is guilty of "stinking racism"; Patrick Buchanan and Accuracy in Media's Reed Irvine are "schoolyard bullies with brains to match"; and Ronald Reagan is, predictably, "an empty man." The author even finds time to ridicule the easy (not to mention passe) target of Deborah Norville. Cumings, a professor of Asian and international history at the University of Chicago, served as a consultant for the Thames Television/PBS series Korea: The Unknown War , and here he complains at tedious length that the producers didn't follow his expert advice. The only chapter worth reading is an account of Cumings's trip to North Korea to interview citizens about the 1950-53 war, of particular interest for his tolerant view of that brutally repressive state. Illustrations.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
An eloquent critique, from a politically progressive perspective, not only of TV's coverage of war but also of its treatment of topical and historical events and of ``politics in contemporary America--an imperious, camouflaged politics known best to those who transgress implicit limits, tread on unvoiced premises [and] traffic in the heterodox....'' Cumings (East Asian and International History/Univ. of Chicago) uses TV's coverage of Vietnam and the Gulf War as a way of analyzing the assumptions underlying its treatment of all sorts of political issues. Drawing on his own experience as an expert consultant on a TV documentary about recent American wars, Cumings shows strikingly how a type of consensus evolves about America's role in wars, a consensus that prevents alternative views from being expressed. The TV coverage of the Gulf War perfectly illustrates this situation, in which, Cumings contends, TV not only failed to present a sophisticated analysis of Arab culture or of the true issues in the war, but also allowed itself to be stage- managed into producing a false account of the fighting (the author claims that the precision of America's ``smart weapons'' was greatly exaggerated, and that the destruction wrought by the war was not adequately covered). Cumings argues convincingly that the purported ``objectivity'' of the camera is an illusion, and that TV is a medium that makes points and takes sides despite its supposed impartial coverage of news events. A provocative and intelligent analysis. (Illustrations--not seen.) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Review
“An eloquent critique, from a politically progressive perspective, not only of TV’s coverage of war but also its treatment of topical and historical events ... Cummings shows strikingly how a type of consensus evolves about America’s role in wars. ... [He] argues convincingly that the purported ‘objectivity’ of the camera is an illusion, and that TV is a medium that makes points and takes sides despite its supposed impartial coverage of news events. A provocative and intelligent analysis.”—Kirkus Reviews
“Bruce Cummings has produced penetrating studies of US strategy and planning, along with the standard works of the Korean War. His unique combination of understanding scholarship and personal experience lends unusual significance to his reflections on the media portrayal of war.”—Noam Chomsky
“Cummings’ writing is lively, clearly and engaging ... this book should be of value to scholars, students, and anyone who needs to understand how to an unpopular message into the media.”—Third World Resources
Most helpful customer reviews
2 of 2 people found the following review helpful.
Fascinating study of the media's portrayal of war, especailly the Korean War
By William Podmore
This is a fascinating study of the media portrayal of war, in particular, of the Korean War. Bruce Cumings is Professor of East Asian and International History at the University of Chicago and author of the best book on the Korean War, the two-volume Origins of the Korean War.
He argues that the supposed `objectivity' of the camera is a myth, and that television is a medium that necessarily makes points and takes sides, whatever its claims to impartial coverage of news events.
Cumings tells the story of the production of the Thames Television/Public Broadcasting System series, Korea: the unknown war, for which he was the main historical consultant.
He notes, "Then there was John Burton, mild-mannered professor of Political Science at George Mason University, who had been the very young head of the Australian Foreign Office in 1950. He told us of telegrams coming from South Korea to the Foreign Office just before the war broke out, reporting South Korea patrols crossing the border, trying to provoke the North Koreans. Dr Burton took these straight to the Foreign Minister and the Prime Minister, `and we sent a very strongly worded telegram to the State Department', asking them to curb South Korea adventurism. Before a reply came back from Washington, the war began. ... Thereafter the telegrams, according to Dr Burton, disappeared from Australian Foreign Office files."
Cumings confirms, "in the British Foreign Office records, ... you'll find a cable, nicely preserved, saying that the Americans were trying to restrain hot-headed South Korea officers along the parallel, a few weeks before June 25."
The South sought to invade the North. Cumings points out that "the southern army had sought to occupy it [Haeju] more than a year earlier [i.e. in 1949], attacking across the parallel from Ongjin."
Cumings writes of "three years of genocidal bombing by the US Air Force which killed perhaps two million civilians (one-quarter of the population), dropped oceans of napalm, left barely a modern building standing, opened large dams to flood nearby rice valleys and kill thousands of peasants by denying them food, and went far beyond anything done in Vietnam in a conscious program of using air power to destroy a society ..." He rightly calls it "one of the most appalling, unrestrained, genocidal bombing campaigns in our genocidal twentieth century ..."
0 of 0 people found the following review helpful.
Case study of media bias
By David Ecklein
Bruce Cumings, chair of the history department at University of Chicago and one of our foremost specialists on modern Korean history, chronicles his participation in an attempt to present a balanced picture of the Korean War on British and US television. The account is often distressing and sometimes amusing, but always readable and compelling. This book is of interest to those concerned with bias in the media. And those who suspect that the story of US intervention in the Korean Civil War has not been fully and truthfully told to the public.
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