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Whether speaking of student or master, Zen hinges on the question. Zen practice does not necessarily focus on the answers, but on finding a space in which we may sustain uncertainty and remain present and upright in the middle of investigations. Zen Questions begins by exploring "The World of Zazen,"--the foundational practice of the Zen school--presenting it as an attitude of sustained inquiry that offers us an entryway into true repose and joy. From there, Leighton draws deeply on his own experience as a Zen scholar and teacher to invite us into the creativity of Zen awareness and practice. He explores the poetic mind of Dogen with the poetry of Rumi, Mary Oliver, Gary Snyder, and even "the American Dharma Bard" Bob Dylan. What's more, Leighton uncovers surprising resonances between the writings of America's Founding Fathers--including Thomas Jefferson and Ben Franklin--and the liberating ideals at the heart of Zen.
- Sales Rank: #312385 in Books
- Published on: 2011-11-22
- Released on: 2011-11-22
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .93 pounds
- Binding: Paperback
- 312 pages
Most helpful customer reviews
19 of 19 people found the following review helpful.
excellent
By to2911
Possibly the best book of contemporary Zen thought and practice among Western-born teachers. It is my new first recommendation for a basic text on Zen - for beginners and advanced practitioners. It really speaks to being a modern practitioner in the world, without idealizations, or Asian exoticism. It's practical and poetic, grounded while giving access to the "lofty" insights of ancestors like Dogen and Hongzhi (for both of whom Leighton has provided some of the best translations in English.)
15 of 15 people found the following review helpful.
The real thing
By Dale Mac
Having this book is like having an old friend drop by for a visit. And this old friend knows his stuff -- from scholarly inquiry, dedicated Zen practice and engaged living.
So settle down, open any page and enjoy the Dharma as expressed in this genuinely American way. It's fun, it's vital. You will want to keep it around for a long time.
13 of 13 people found the following review helpful.
Zen is about Creative Inquiry, indeed.
By Daniel M. Kaplan
Taigen Dan Leighton's latest book is, in many ways, unlike most of his other books. It's personal; it's his writing, not his translations. And in doing so, he illustrates some seminal aspects of Zen, both Soto and otherwise. A little self disclosure first: I'm an old friend of Taigen's, and have been practicing in a Koan School of zen for 15 years now, after spending 10 years also studying and practicing, along side of Taigen, in Suzuki Roshi's lineage.
One of the things that is a theme in this book that comes through over and over again is the need and place of questioning in zen. Not for answers, but as the central practice. Answers and insights do come, as Taigen says, but the sustaining of the questioning is vital. Whether on the cushion or off the cushion, raising a question is central to the heart and practice of zen inquiry. Taigen underscores this throughout his fine book. Creative Inquiry. " Settling in to the dynamic quality of zazen as question and inquiry requires a willingness to be present for this question." (Pg 8). Can we live in the middle of this life that is a question? His explication of Dogen as `how do I live this life?' cuts through the often difficult time in getting to exactly what Dogen is talking about in terms of practice and life.
This book is based on Taigen's articles and Dharma Talks given from 1994 through 2010.
Taigen's use of the term Upright Sitting, or being upright throughout this practice, is taken from his own Lineage Teacher, Tenshin Reb Anderson. It is another central notion that Taigen comes back to over and over again. What does it mean to be Upright, in the midst of it all?
Although Taigen relies on some of his favorite contemporary expressions of Zen in our culture, from Bob Dylan (whom Taigen refers to as his `favorite American Dharma Bard'), to Mary Oliver, to Rumi, to the more political expressions of his vision, his explication of Dogen and Soto Zen is clear, penetrating and filled with his own practice and life experience and this book is filled with his soft touch, his gentle touch. His delving into Dylan's Visions of Johanna as being an expression of what it's like to do a sesshin, a weeklong intensive meditation experience which is a central practice in zen, is just one of many examples of how this practice has touched Taigen's ongoing life of practice right here ,right now.
In his section on Gary Snyder, Taigen again finds resonance with this ancient practice: "Snyder clarifies that spiritual training or cultivation is not a matter of fighting or overcoming nature and the wild." (pg 213).
In one of his more penetrating sections, for me as a practitioner and reader, Taigen states, "...freedom is not escape. We cannot escape from our situation....We have to acknowledge our karma and our Dharma position, which is to say that we have to accept who and where we are, and what we are doing." (pg227/228). I would add that it is through this very life we already have, warts and all, that freedom is found, through form, to vastness.
This book speaks to both 'just sitting' practice as well as the spirit of koan study.
This is a fascinating book that I recommend to you for your consideration. As Creative Inquiry is central to both koan practice and `just sitting' practice as practiced in Soto Zen, the arbitrary distinctions between the two `schools' of zen starts to disappear as we find the true expression of Buddha's Way in our lives, through form, to fully not knowing.
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