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League of Extraordinary Gentlemen: Century Vol. III, by Alan Moore
Download PDF League of Extraordinary Gentlemen: Century Vol. III, by Alan Moore
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A-36/May have normal shelfwear
- Sales Rank: #980309 in Books
- Published on: 2014-07-24
- Original language: English
- Dimensions: 10.28" h x .94" w x 7.09" l, 1.59 pounds
- Binding: Hardcover
- 256 pages
Most helpful customer reviews
7 of 7 people found the following review helpful.
Another Experiment in Reader Tolerance from the Mad Genius of Mainstream Comics
By EisNinE
The Third Volume of League of Extraordinary Gentlemen is closer to The Black Dossier than Volumes 1 and 2, which means it's a polarizing work that is going to frustrate some, and please others. Each of the three chapters, 1910, 1969, and 2009, introduce period specific references that become increasingly arcane. There's little chance you'll pick up every detail Moore and O'Neill dump in the readers lap, but following the trail beyond the book can lead in fascinating directions. It's a complex work, and perhaps another experiment in reader tolerance. I enjoyed it, but I'll suggest that new readers start elsewhere (obviously) and fans who disliked The Black Dossier will probably dislike Volume 3.
Their last mission was in a Cold War Britain of the late 1950's, where Mina Murray and the rejuvenated Allan Quatermain risked their apparently endless lives to steal the ultra-classified documents detailing the secret history of the League. As enemies of the (literally) Orwellian state, they were pursued by fictional weapons of statecraft that included a humorously inept young spy named 'Jimmy' Bond.
Volume three takes us back almost 50 years, introducing a League that has replaced it's dead and retired veterans with the immortal hermaphrodite* Orlando (*not the correct term, since he/she shifts back and forth between genders for extended periods, and possesses only one set of sexual characteristics at a time), the occultist Thomas Carnacki, and 'gentleman thief' A.J. Raffles. It also introduces the teenaged daughter of Captain Nemo, Janni, who abandons her ailing father and her birthright of piracy and slaughter, seeking a new life for herself in England. The League, meanwhile, finds itself up against an enemy who has grand ambitions that involve shaping the future of humanity to fit his own desires. With a stratagem that transcends death and time, Mina Murray is the only person capable of following and defeating Oliver Haddo (a character taken from 'The Magician' by W. Somerset Maugham, based on the infamous 'Great Beast' and co-founder of The Order of the Golden Dawn, Aleister Crowley; Crowley later assumed the sobriquet himself to critique the novel), in a struggle that spans the course of the 20th Century.
For completists, the book is well-designed, with thick, semi-gloss paper of the highest quality and sturdy, cloth-bound covers -- Top Shelf didn't cut corners by using the cheap, acidic paper and stamped particle-board that DC do quite regularly (my copy of The Black Dossier hardcover has already yellowed, while older books printed on better stock remain arctic white. Even the 'glossy' paper DC uses is still thin, pulpy, acidic trash that puts an expiry date on purchases. They do use premium paper on Absolute editions and the more expensive hardcovers, however). So even if you don't love the course Moore has been charting the last few years, at the very least you end up with a well-produced book. It includes all the prose stories and ads that came with the softcovers, and features painted endpapers by O'Neill. The format is the standard 7 x 10 inches (roughly) of The Black Dossier and the Nemo books, one size down from the LOEG: Volume 1 and 2 Omnibus hardcover.
It's not for everyone, but it's one of those stories you might feel differently about in a couple years. Or maybe not. {85/100}
0 of 0 people found the following review helpful.
Sad, Mr
By Jason Henry Evans
While Moore is clearly at the top of his game with this one, I couldn't give it a complete five stars because some of his references in literature, film and pop culture, became too obscure, even for me. I realized this when I had to go to Wikipedia to unpack everything Moore was writing. In addition, I fully expected the end of the series with Century and yet he leaves the door open for more adventures.
Let me explain why this is a problem.
Alan Moore was very upset with DC comics for continuing his Watchmen series after he was gone. He went on and on about how the failings of comics were that the characters never, truly, have an end to their story arc. Moore wrote all of his comics so there would be an end to their arcs. Yet, here he is, in LXG: Century, leaving the door open for future stories with a small blurb at the end. Sad, Mr. More, Sad.
Now, other than that, this was an excellent story with unexpected poignancy and surprises. I very much liked it. If you love LXG, than you'll love it, too.
3 of 6 people found the following review helpful.
Good luck following the plot
By redskullduggery
The first two volumes are classics. The third, not so much. Good luck following the plot. Moore went off the rails a little bit with this one.
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