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Who speaks for science in a technologically dominated society? In his latest work of cultural criticism Andrew Ross contends that this question yields no simple or easy answer. In our present technoculture a wide variety of people, both inside and outside the scientific community, have become increasingly vocal in exercising their right to speak about, on behalf of, and often against, science and technology.
Arguing that science can only ever be understood as a social artifact, Strange Weather is a manifesto which calls on cultural critics to abandon their technophobia and contribute to the debates which shape our future. Each chapter focuses on an idea, a practice or community that has established an influential presence in our culture: New Age, computer hacking, cyberpunk, futurology, and global warming.
In a book brimming over with intelligence—both human and electronic—Ross examines the state of scientific countercultures in an age when the development of advanced information technologies coexists uneasily with ecological warnings about the perils of unchecked growth. Intended as a contribution to a “green” cultural criticism, Strange Weather is a provocative investigation of the ways in which science is shaping the popular imagination of today, and delimiting the possibilities of tomorrow.
- Sales Rank: #2596854 in Books
- Brand: Brand: Verso
- Published on: 1991-09-17
- Released on: 1991-09-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .98 pounds
- Binding: Paperback
- 276 pages
- Used Book in Good Condition
From Publishers Weekly
Ross ( No Respect: Intellectuals and Popular Culture ) delves into the ways in which technocratic elites (military, corporate, scientific) have set the agenda for public opinion and examines the challenges to those elites posed by popular and alternative cultures. He explores groups--such as New Agers and cyberpunk SF purveyors and fans--who have marginalized themselves by choice and by their potential resistance to a techno-fascist future. In elegant prose and carefully worked out thought, Ross shows these groups to be communities of shared interests that encourage participation by all, the mechanisms of "a more radically democratic future." He is not blind, however, to the their limitations, expressing forcefully his objections to the sour dystopias of the cyberpunks and the failure of much eco-futurology to recognize the complexity of the human presence on earth, eliding differences of race, class and gender. The book's other theme, perhaps its most important one, is that science and technology, like economics and politics, are the products of social formations.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
The essays collected here continue Ross's middle-level discussion begun in his No Respect: Intellectuals & Popular Culture ( LJ 5/15/89). In each book Ross seeks a common language between intellectual leaders and common people. An English professor and cultural critic, he discusses in case studies several scientific countercultures: the New Age, hackers, cyberpunk fiction, futurists, global warming, and weather forecasting. He urges these communities to refine their analysis of hard science and technology in order to achieve more influence on the social and environmental outcomes of future sci-tech projects. Although the book assumes wide reading in these areas, examples are selected to support the author's position but not the richness of the community. For example, science is equated with factual knowledge. The debate generated by such writers as Bruno Latour in his Science in Action (Harvard Univ. Pr., 1987) is neglected here. A conclusion, glossary, and bibliography would enhance accessibility. An optional purchase for large public and academic libraries.
- Christopher R. Jocius, Illinois Mathematics & Science Acad., Aurora
Copyright 1991 Reed Business Information, Inc.
Review
“A marvellous, sceptical history of the culture of prediction. Between the technocrat’s theme-park dreams and the catastrophist’s ominous signs, he sees futures that we can live in.”—Meaghan Morris
“Sharply critical yet generously appreciative, Strange Weather will stand as the definitive study of the technoculture which increasingly dominates our lives.”—Joel Kovel
Most helpful customer reviews
1 of 1 people found the following review helpful.
Looking at culture, technology, and power structures
By T. Burrows
Ross is a Scottish cultural critic and professor at NYU, a widely known member of the wave of postmodern thinkers who came along in the 1990s. In this book he takes on a variety of subjects, but does not provide the kind of overall examination of them that the title suggests. Rather, this reads like a collection of shorter essays on a few of the intersections of technology and culture. There are chapters on new age science, computer hackers, science fiction, and the evolving image of scientists and engineers.
Most of it is interesting to read, although at times he seems to be stretching too far in an attempt to make points. For example, his discussion of weather reporting as "culture" is not very convincing. Like a number of others, he seems interested in helping to create a new kind of criticism that emphasizes the position of culture(s) within the power structure of society.
8 of 19 people found the following review helpful.
Nonsense
By Kip Robisch
What an awful book this is.
Dana Phillips offers a great critique of Strange Weather and The Chicago Gangster Etcetera in his equally poor The Truth of Ecology. His evisceration of Ross's quasi-environmental urbanist solipsism is right on (and perhaps the only defensible moment in Phillips's work, which sadly and firmly lands in Ross's camp even while pulling tent spikes from it).
How do these people gain purchase in the academy? Strange Weather is full of straw man arguments, shoddy research, spurious logic, self-absorbed think pieces, and a crusade against New Ageism masquerading as a knowledgeable examination of environmental thought.
This book is an early product of the postructuralist assault on the material world that has come to pervade humanities studies, a burning cross on the field of interdisciplinarity. It also precipitated Ross's being revealed as a charlatan by Alan Sokal, and then Ross's profiteering from his own lack as a scholar by helping to grandstand the "Science Wars."
His current work on labor stands unfortunately on the foundation of low credibility he established for himself as in ideologue in the postmodern vein, his egotistical posturing from inside the cloisters of a university, and his quest to make of the raw material of the planet a curio cabinet for his own entertainment.
I recommend using this book as an example of how not to function as a writer of cultural criticism, and as a part of the problem we face in preserving what is left of the biosphere.
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